![]() Click on the large blue power icon at the top.Click the UBlock Origin icon in the browser extension area in the upper right-hand corner.It will turn gray and the text above will go from “ON” to “ OFF”. Click on the “ Ad-Blocking” button at the bottom.Click the Ghostery icon in the browser extension area in the upper right-hand corner.Switch off the toggle to turn it from “ Enabled on this site” to “ Disabled on this site”.Click the AdBlocker Ultimate icon in the browser extension area in the upper right-hand corner.“ Block ads on – This website” switch off the toggle to turn it from blue to gray.Click the AdBlock Plus icon in the browser extension area in the upper right-hand corner.Refresh the page or click the button below to continue.Under “ Pause on this site” click “ Always”.Click the AdBlock icon in the browser extension area in the upper right-hand corner.The world is swimming with wonderful old cameras and lenses I hope that young artists find inspiration and continue to experiment with the medium.Adblock Adblock Plus Adblocker Ultimate Ghostery uBlock Origin Others Film is an important part of our heritage and I would hate to see the art form lost to history. I'm grateful that Kodak and Fuji still manufacture 35mm films and equally thankful that stores like Lomography and B&H continue to sell them. That said, my experiences and preferences are no indictment. I didn't like Kodachrome 64 half as much as Kodachrome 25, and many of my shots on Tri-X 400 haven't aged well because I did a poor job developing it (I was an impatient chemist). Kodak's Portra films (both the "Natural Color" and "Vivid Color" varieties) seemed vulnerable to fogging from X-ray machines. Agfa's slide films didn't resolve details nearly as well as equivalent films from Kodak and Fuji. Ilford's black-and-white films looked muddy and always left me disappointed. ![]() I used Photoshop to restore the colors to what the original slides or prints looked like.įor each film that I remember well, there is a film that I remember poorly. Here is a small collection of photos that speak to how each was wonderful and unique. Each of my favorite films had its own character. Nevertheless, I look back at my old photographs with nostalgia. That's what many photographers felt like when Kodachrome was discontinued. (Imagine if a painter woke up to discover that oil paints would never be made again. It can be scary and depressing when a film is discontinued. Retouching dust, dirt, scratches and stray hairs is tedious and Negative film is terribly hard to organize when shooting mixed subjects on the same roll įilm scanners are slow. pushing, pulling, cross-processing, adding salt, microwaving, etc.īut, if someone asks me why I stopped shooting film, I could just as easily rationalize that:Įach shot is expensive, especially after considering the cost of processing It's fun to experiment with the chemistry of film to see what happens. ![]() Getting photos back from a lab (especially by mail) feels like opening a present The expense of shooting film, coupled with the lack of seeing a shot in realtime, forces a photographer to plan his or her shots more carefully The ability to hold a photograph in hand makes it less likely that important photos will be discarded by future generations Negative film is visually forgiving of overexposure (digital is not) The texture gives a focal point to photographs that have a shallow depth of field If someone asks me what I love about film, I can rattle off lots of reasons: It will always have a special place in my heart, even though I haven't shot on film in years. I took some of the best photos of my life on 35mm film.
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